Ms J Clarke
Ms H Marcroft (Head of School)
Ms L Rogers (Lead Practitioner KS3)
Mr K Timms (Lead Practitioner KS4)
Mr M Collins (Assistant Principal)
Mr J Leversha
Ms M McLoughlin
Ms L O’Sullivan
Mr C Malarkey (Nurture and SEN specialist)
Ms G Wills
Our curriculum is varied, extensive and challenging, offering a pathway to success through texts that engage, inspire and motivate our students. Students will be challenged to think beyond their own life experiences and consider a wide range of contextual influences, cultures and global issues.
The students will develop the skills of empathy, critical thinking and reflection through the exploration of a range of fiction and non-fiction texts. Students will have the power to interpret the written word, evaluating the context and the cultural landscape they encounter. They will also develop their writing in a creative, conscious and fluent way, selecting effective vocabulary to achieve their desired effect.
Central to our ethos is inspiring a love of reading and appreciation of the written word; deliberate and explicit teaching of vocabulary is at the forefront of all of our lessons, and students will engage with a wide range of ambitious vocabulary that will enable them to articulate themselves clearly in a range of situations both inside and outside of the classroom.
Understanding Origins and Myths:
Analysing creation myths and epic tales (e.g., Gilgamesh)
Identifying key themes and heroes in mythology (Theseus, Perseus)
Textual Analysis:
Analysing language, character, and structure in texts like The Iliad and The Odyssey
Understanding Biblical and Christian influences in literature
Historical and Literary Context:
Linking texts to their social, political, and historical contexts (Anglo-Saxon, Elizabethan, Jacobean England)
Recognising language development (Old English, Middle English)
Shakespearean Study:
Identifying genre conventions of tragedy
Analysing dramatic techniques and playwright’s intent
Narrative Structures:
Understanding narrative elements (beginnings, endings, motifs)
Exploring writer’s intent and global themes in storytelling
Poetic and Dramatic Techniques
Understanding poetic structures and dramatic effects
Analysing themes like science, religion, and social anxieties
Critical Thinking:
Summarising key ideas, linking concepts, and identifying motifs
Applying intertextuality and exploring different points of view
Genre and Conventions:
Understanding crime and detective fiction conventions (justice, retribution, detection)
Analysing narrative techniques (focalization, foreshadowing, dialogue, tension)
Solving mysteries and problems in fiction
Poetic devices and analysis:
Exploration of war poetry and literature
Knowledge of the how and why war literature is so important
Empathy skills
Rhetorical Devices:
Identifying poetic devices, ethos, pathos, logos
Understanding the purpose and audience of texts
Comparing perspectives and ideas to develop empathy
Persuasion and Power:
Analysing language and power in persuasive texts
Understanding how speakers persuade through character, emotion, and argument
Exploring the structure and syntax of persuasive writing and speaking
Debating and Argumentation:
Structuring and organising debates
Victorian and Social Contexts:
Exploring Victorian social anxieties (e.g., Stevenson’s Jekyll and Hyde, science vs religion)
Understanding societal fears like degeneracy, overstepping boundaries, and appearance vs reality
Dramatic and Structural Analysis:
Analysing character, language, and structure in plays:
Exploring themes in historical, social, and political contexts (actions vs consequences, terrorism, interracial relationships)
Critical Thinking and Context:
Linking historical and social contexts (Victorian fears, social boundaries) to themes
Understanding playwright’s intent and the effects of actions and consequences
Textual and Contextual Influences:
Understanding factors that influenced text production (e.g., historical, cultural, political contexts)
Applying contextual knowledge to content and analysing how culture influences writers and poets
Theories and Literary Concepts:
Engaging with theories (Aristotle, Marxism, Feminism)
Exploring satire and allegory as literary forms and analysing oppression in texts
Plot and Character Development:
Tracking key events, character arcs, and themes in literature
Analysing narrative arcs and plot structure: (e.g., Orwell’s use of propaganda, survival themes)
Dramatic and Literary Techniques:
Identifying and analysing dramatic methods (dramatic irony, soliloquies, tension, in medias res)
Using metaphor and rhetoric in textual analysis
Interpretations and Differing Perspectives:
Analysing themes relating to social, historical, and political contexts (totalitarian regimes, human rights, political dictatorships)
Women in Literature:
Exploring differing interpretations of texts over time
Engaging with perspectives such as feminism, feminist literary theory, and male gaze
Social and Political Contexts
Exploring gender inequality, female empowerment, and the representation of women in literature
Dystopian Literature:
Understanding dystopian conventions (setting, themes, characterisation)
Analysing how dystopian fiction portrays oppression, power dynamics, and the removal of human rights
Critical Analysis and Cultural Capital:
Understanding and applying concepts of cultural capital and its importance in literature
Evaluating why writers express specific viewpoints and attitudes through their works
AQA Language:
Paper 1 - Explorations in Creative Reading and Writing
Paper 2 -Writers' Viewpoints and Perspectives
AQA Literature:
Paper 1- Shakespeare and the 19th-century novel.
Macbeth and A Christmas Carol
Paper 2- 2 Modern texts and poetry
An Inspector Calls, Power and Conflict Poetry and Unseen Poetry
Reading:
• critical reading and comprehension: identifying and interpreting themes, ideas and information in a range of literature and other high-quality writing; reading in different ways for different purposes, and comparing and evaluating the usefulness, relevance and presentation of content for these purposes; drawing inferences and justifying these with evidence; supporting a point of view by referring to evidence within the text; identifying bias and misuse of evidence, including distinguishing between statements that are supported by evidence and those that are not, reflecting critically and evaluatively on text, using the context of the text and drawing on knowledge and skills gained from wider reading, recognising the possibility of different responses to a text.
• summary and synthesis: identifying the main theme or themes; summarising ideas and information from a single text; synthesising from more than one text.
• evaluation of a writer’s choice of vocabulary, form, grammatical and structural features:
explaining and illustrating how vocabulary and grammar contribute to effectiveness and impact, using linguistic and literary terminology accurately to do so and paying attention to detail; analysing and evaluating how form and structure contribute to the effectiveness and impact of a text.
• comparing texts: comparing two or more texts critically with respect to the above.
Writing:
• producing clear and coherent text: writing effectively for different purposes and audiences: to describe, narrate, explain, instruct, give and respond to information, and argue; selecting vocabulary, grammar, form, and structural and organisational features judiciously to reflect audience, purpose and context; using language imaginatively and creatively; using information provided by others to write in different forms; maintaining a consistent point of view; maintaining coherence and consistency across a text
• writing for impact: selecting, organising and emphasising facts, ideas and key points; citing evidence and quotation effectively and pertinently to support views; creating emotional impact; using language creatively, imaginatively and persuasively, including rhetorical devices (such as rhetorical questions, antithesis, parenthesis).
• literal and inferential comprehension: understanding a word, phrase or sentence in context; exploring aspects of plot, characterisation, events and settings; distinguishing between what is stated explicitly and what is implied; explaining motivation, sequence of events, and the relationship between actions or events
• critical reading: identifying the theme and distinguishing between themes; supporting a point of view by referring to evidence in the text; recognising the possibility of and evaluating different responses to a text; using understanding of writers’ social, historical and cultural contexts to inform evaluation; making an informed personal response that derives from analysis and evaluation of the text
• evaluation of a writer’s choice of vocabulary, grammatical and structural features: analysing and evaluating how language, structure, form and presentation contribute to quality and impact; using linguistic and literary terminology for such evaluation
• comparing texts: comparing and contrasting texts studied, referring where relevant to theme, characterisation, context (where known), style and literary quality; comparing two texts critically with respect to the above.
Paper 1: Explorations in Creative Reading and Writing
Focus: Developing analytical and creative skills.
Paper 2: Writers' Viewpoints and Perspectives
Focus: Exploring and comparing non-fiction texts.
Paper 1: Shakespeare and the 19th-Century Novel
Texts:
Paper 2: Modern Texts and Poetry
Texts:
In-school theatre productions
Revision conferences
1. Writer/Author
2. Journalist/Broadcaster
3. Editor/Proofreader
4. Teacher (English/Literature)
5. Content Writer/Copywriter
6. Public Relations Specialist
7. Publishing (Literary Agent, Editor)
8. Librarian/Archivist.
9. Marketing/Communications Specialist
10. Screenwriter/Scriptwriter.
11. Technical Writer
12. Law (Solicitor/Barrister)
13. Human Resources (HR)
14. Translator/Interpreter.
15. Speechwriter
16. AI Prompt Engineer
17. Sales/ Account Manager
Homework:
KS3: Bedrock- online platform.
Set day: Monday
Due date: Sunday
KS4: Set day: Wednesdays – online multiple choice/videos and wider reading
Due day: Weekly (Wednesday)
Format/platform: Uploaded on to Class Charts/ Google Classroom
Revision:
Classics
To Kill a Mockingbird by Harper Lee
Of Mice and Men by John Steinbeck
Animal Farm by George Orwell
Lord of the Flies by William Golding
Pride and Prejudice by Jane Austen
Modern Texts
The Book Thief by Markus Zusak
The Curious Incident of the Dog in the Night-Time by Mark Haddon
Noughts and Crosses by Malorie Blackman
1984 by George Orwell
Refugee Boy by Benjamin Zephaniah
Young Adult
The Hate U Give by Angie Thomas
One by Sarah Crossan
The Perks of Being a Wallflower by Stephen Chbosky
I Am Malala by Malala Yousafzai
Northern Lights by Philip Pullman
Poetry and Short Stories
Selected Poems by Carol Ann Duffy
Selected Poems by Simon Armitage
The Colour of Humanity by Michael Morpurgo (Short Stories)
A Kestrel for a Knave by Barry Hines
War Poems by Wilfred Owen